“I would say my visual style is based on a colourful palette applied to simple shapes to depict weird and funny characters, mixed with some textures and a touch of humour, when possible,” he says on how he crafted a signature style of his own. Everything appears cohesive in Antonio’s body of work, and it’s understandable as to why editorial commissions, in particular, are suited to his visual language. “Colour is definitely very important in my work, I can spend hours until I find the right palette.” These hours are often spent in conjunction with dedicated time away from the computer to draw “just for fun at least one day per week.” It’s a practice that every illustrator should effectively take note of, as keeping the source of joy and passion alive in one’s art will only inevitably inspire the paid opportunities. “I just need my sketchbook and a pencil, and in there I don’t care about drawing nice things,” he says. “Most of the time it is just nonsense doodles, but sometimes a doodle that I didn’t like will come back two months later when I think ‘this could be cool!’ and then I move forward digitally with that doodle.” Antonio is dedicated to the process of returning to his sketchbook time and time again, and this is often the starting point for a new commission.
For a recent example of finding joy in his work, Antonio points to a poster he made for an English academy in Spain. “I was commissioned by the school to illustrate the ‘parts of the house’ in English, and I enjoyed it so much,” he tells us. “In some ways, I tried to illustrate the house where I would like to live so I did a lot of research about interior design, patterns, and furniture.” It was a rewarding process for Antonio, who got to tap into his inner child and think dynamically about how his illustrations could be as informative as they were dazzling. “And in general, any project where the client is open to hear your ideas, collaborate and let you create is my favourite,” he says.
It’s this attitude that keeps Antonio optimistic about working on mural illustrations next, something that’s been on his bucket list for years. “I also want to keep working on animation, and testing new ideas to produce short animations,” he adds. As Antonio’s gifs work so perfectly in their Pixar-like details, we can’t wait to see what the illustrator is capable of in a fully animated world.