Kaja Meyer’s art explores how seemingly “unconnected entities interact with each other”

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Kaja Meyer’s art explores how seemingly “unconnected entities interact with each other”


These existential musings form the backbone of many of Kaja’s artistic explorations. In her painting Critters in a Woodland Still Life, we see “less glamorous animals take their rightful spot on the stage and flaunt themselves”. Snails, caterpillars and butterflies are scattered throughout the scene, crawling up the stems of flowers and on top of fungi. It’s unlikely that Kaja came across these exact creatures in these exact positions, but together they seem to speak to ideas of creation, growth, death and coexistence. The latter is a particularly poignant aspect of the work for Kaja, who says that she finds the painting “very calming and reassuring – everything is just alright.”

With these essential themes in mind, it comes as no surprise that Kaja draws inspiration from everywhere and everything. Nature, literature, art, music – they all seep into whatever she is working on. This openness naturally imbues her work with a complexity of character, and we can find darkness, sweetness and humour all within a single composition. Fittingly, Kaja says she gravitates towards work made by women, trans folk and others that lie outside of heteronormative, male-centric circles. As with her drawings and paintings, which probe the fundamental questions of life, Kaja’s own essence is a driving factor in her practice: “My own gender identity is in everything I am and do, including how I work.”



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