The joyful colour palette in Disabled Teddies, helps to celebrate and normalise the imagery of disability within the illustrative language of children’s books and cartoons – areas in which disability and illness are often under-represented or ignored. Studying colour, gradient and texture always plays an important role in bringing Dana’s figures to life. She likes to place colours together “using palettes that you might not commonly see, especially in nature”. The colours, music, fashion and patterns of the 80s provide a “goldmine” of inspiration for her in this respect.
When it comes to composing her ideas, Dana likes to work in Photoshop. “I find digital illustration is the most accessible, as I can work from the couch, bed, or the studio!” But her creative process can vary from day-to-day and is often “dictated” by her health. “Having various ways to work is necessary when you’re sick and disabled”, she tells us. She has delighted in experimenting with many a medium since childhood (drawing, painting, crafting, sewing, and jewellery making, among others) but in 2007 she began honing her practice when she attended art school.
“When I started out I struggled to be seen by my teachers. My paintings and drawings were too “illustrative” for them… but I wanted to be an illustrator, so I didn’t see what the big deal was!” So Dana stuck to her gut, following the lead of artist Marcel Dzama, whose work fluctuates between the disciplines of art and illustration, she continued developing her own unique style. “It was a very slow journey, but I continued to work on my art and illustrations everyday, and eventually it evolved into my career. Illustration just feels natural! I love it.”
