Sally Kindberg explores tragicomedy in her exquisitely surreal paintings

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Sally Kindberg explores tragicomedy in her exquisitely surreal paintings


Another means by which Sally creates such distinctive scenes is her interest in perceptions of “high and low brow culture” and notions of the “tragicomic”. Summarising how both of these facets come together in her work, Sally sees them as being rooted in the idea that “our society is so incredibly sophisticated, so complex, yet at the same time it is so ephemeral”. And certainly, this sense of ephemerality comes across perfectly in Sally’s work. Featuring a slightly uncanny mismatch of objects, clothing items and styles that invoke references to both recent and far-gone eras, Sally produces a temporally disorientating, yet deeply intriguing pull throughout her body of work.

Despite always loving drawing as a child, it wasn’t until Sally was in her 30s that she decided to fully invest herself into her artwork. Doing her foundation in Finland, where she enjoyed the northern lights, snow and cinnamon buns, Sally moved to London to study art at Goldsmiths, a city she loves for its rich art and culture heritage. Being a big “random” walker, and enjoying to simply observing people going about their business in the city, she also loves London’s vastness, “you can get lost in it everyday… (if you want to)”.

When discussing her biggest creative inspiration, Sally firmly lands on her “very creative mother”. Telling us that she was incredibly resourceful (she was able to turn an old winter coat into a new jacket, a hat and a baby sleeping bag in one go) Sally also explains that she always sought the most out of life; tending to a garden full of huge sunflowers, loving a dinner party, and driving her and Sally around Europe in a salmon pink Saab 900. “She always said YES. What an inspiration. She sadly passed away last year and I miss her so much, but her energy lives inside me.”



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